Cato (Hunger Games) - Works | Archive of Our Own
Cato and Clove Clove Hunger Games, Hunger Games Cast, Hunger Games Series, Rue, Marvel, Glimmer, Foxface, Cato, Clove and Katniss and Peeta way. The best memes from Instagram, Facebook, Vine, and Twitter about peeta and Love, Relationships, and Forever: Please someone say this to me and mean it. Behold two of my favorite narrative quotes: . This is what makes his relationship with Katniss so unique. Cato's hypermasculinity is arguably his greatest weakness. Suddenly, he finds a glimmer of hope, a reservoir for strength, a possible way out, a ray of light, a Forgotten Superweapon, what have.
Katniss is engaging and inspiring for young women, all while occupying quite the intersectional identity. She was born into poverty, is functionally biracial, and is arguably implied to be somewhere on the asexual, aromantic, and autism spectrums. But as the title suggests, I do have a few critiques of the series as written. Before diving into this analysis, it must be acknowledged that THG was not necessarily meant to be a feminist piece of literature.
While Collins did some novel things with gender representation in the books, they are not about that. At its core, THG is a story about war and its effects on young people. It has as much commentary on mental health as it does on gender politics.
Clato collage | Beautiful | Pinterest | Hunger Games, Hunger games trilogy and Catching fire
So this perhaps feels a little like splitting hairs, focusing on the wrong things. There is good reason why people consider THG to be a feminist piece of media. In many ways, it is. In terms of more obvious issues regarding female representation and the unfair expectations of us, it delivered. The series made some great strides in the right direction but was tripped up by subtle gender issues we are only starting to parse out now.
Because they are the core of the story and contain the most detail, this analysis will mainly focus on the books. However, there will be references to how THG was adapted to the screen and what it says about the story. And while I do have critiques to add to this conversation regarding the feminist content of THG, there is much to praise as well.
As mentioned, Katniss is an intersectional character in many ways, and at least some of those intersections are explored. This was before intersectionality was a household term, making it even more impressive in my humble opinion. I would have been very interested to learn more about her experiences. Their differing appearances seem to cause no friction between Prim and her sister who is more obviously a PoC, but they are family after all.
THG tackles a number of moral issues as well, as war stories tend to. I appreciated the moral arguments and the acknowledgement that things are more complicated than they seem. How relative is morality, and how relative is privilege?
I never much liked him, and this is part of why. While Katniss is surprisingly good at critiquing her own perceptions of others, Gale refuses to do so. Ultimately, it costs him his humanity. He is a cautionary tale to angry young people if ever there was one. And in this day and age, we could use that.
So, yes, there is much to gush about regarding THG. Here are some things in particular that stood out to me in the series. She is a character you can analyze to death because there is so much there to dig into. And yet, while she is characterized very specifically and is far from being an everywoman, women and girls the world over relate to her.
This probably speaks to the lack of relatable female characters let alone female role models in our media. How novel that is is depressing.
As an aside, let me clarify that remark about agency of thought versus action. To me, that has nothing to do with her gender and everything to do with the larger themes and messages of the series. She is determined to choose her own path, and to me that looks a lot like agency. Circling back now, my reasoning for being happy that Katniss is not perfect is that, frankly, we have enough perfect women in media. There is a severe dearth of female antiheroes out there, but Collins wrote a great one.
Katniss cares deeply about some people but can be incredibly self-absorbed, recognizing the needs of no one but her small inner circle. She notices problems in the world but is a reluctant hero, not wanting to risk rocking the boat and making things worse or putting her loved ones in danger. Her problems may exist on a grander scale, but her moral dilemmas are relatable.
More personally, Katniss is a snarky, cynical little a-hole and I love her for it. Her narrative voice is incredibly relatable to me, another taciturn female full of silent sarcastic barbs. Behold two of my favorite narrative quotes: If I feel ragged, my prep team seems in worse condition, knocking back coffee and sharing brightly colored little pills.
Our server reports it will not just be for a fuel stop — some part has malfunctioned and must be replaced.
The Hunger Games is Not a Feminist Masterpiece
It will require at least an hour. This sends Effie into a state. She pulls out her schedule and begins to work out how the delay will impact every event for the rest of our lives. When so many female characters feel the same in terms of personality and goals as well as identity, it can be hard to connect with any one in particular. These days we are definitely seeing more diverse female representation in the media, and maybe Katniss was part of what sparked that. She caught the attention of women, and maybe that caught the attention of content creators and was part of the impetus to diversify female representation.
I like to think so, anyway. Katniss is clearly uncomfortable with having to play the giggly girl in love. Even before that, her interview prep session with Effie is disastrous because she struggles with how to present as feminine, especially in the fancy way that will be required in that situation. The dress poses another problem.
Smiling is mostly about smiling more. Effie makes me say a hundred banal phrases starting with a smile, while smiling, or ending with a smile. By lunch, the muscles in my cheeks are twitching from overuse. Many of the Capitol citizens are in debt because of this.
Further, they are pretty blatantly sexist in the same ways we are. This shows up in how they sympathize with Peeta the lovelorn boy and the pressure Katniss feels to reciprocate, as well as their expectations for how men and women will dress and behave.
What does this mean? It means I get to spend the morning having the hair ripped off my body while Peeta sleeps in. I am partial to this theory, but I am admittedly biased.
That and how not fitting into those roles is not presented as bad or weird, which deserves a mention all its own… Gender role switcheroos Katniss Everdeen defies traditional gender roles, and the fact that she does so without really trying makes it even better. As mentioned in the last section, Panem is not exactly an egalitarian society in terms of gender. However, this seems to be less pronounced in the districts, where the struggle to survive takes precedence over anything else.
Katniss being a hunter and provider are far from her only stereotypically masculine traits, however. She is a poor conversationalist and generally asocial, has no interest in boys until she is thrust into her unfortunate love triangle, and says she looks nothing like herself when she has to get dressed up for the Reaping. Perhaps the best way to describe her variance from typical gender roles is to evaluate her in terms of instrumental vs.
Our society tends to socialize women to display expressive traits such as sensitivity and cooperation. Katniss either missed or ignored this socialization process and is instrumental to a T.
The Mockingjay - A Hunger Games Fan Community
For her character and survival skills, maybe. But for her actions? Katniss is pretty clear that she does not want people in-universe looking up to her or imitating her for that. People who are in it for the Love Triangle. By the third book, Katniss is completely exasperated that everyone is so interested in her love life when there's bigger things at stake. This may also be a Take That! President Coin when she kills Prim and the Capitol children.
Don't believe Snow's words? Well, either way, she crosses it as she tries to set up another Hunger Game.
In-universe, Snow crosses it when he reaps the victors for the Quarter Quell. Clove taunting Katniss about Rue's death before trying to slowly cut her to death. The Gamemakers of the 74th Hunger Games making Katniss and Peeta can both survive the Games, then yanking it away from them, only relenting after the two seemingly attempt to Take a Third Option of being Together in Death. The Quarter Quell arena outfits look like dance leotards. Some of the deathtraps are a little over the top.
Like the death-by-evil-black-jello in Mockingjay. The saltiness reminds me of my tears. While people point to similarities with Battle Royale, the concept of a government-run competition in a dystopian future in which the participants are killed for the spectatorship of others has existed as far back as Stephen King 's The Long Walk and The Running Man.
King himself pointed this out in his positive review of the first book. And even further back than that if we include the Real Life gladiatorial fights in Rome. In a similar vein, the series is sometimes accused of ripping off Twilightsolely on the basis of having a Love Triangle.
The series' famous three-fingered hand-sign is the same as the hand-sign used by Scouting youth groups across the world. The fandom has no shortage of fans who prefer the Career tributes to Katniss and Peeta, finding them equally sympathetic or even moresoconsidering that they have been brainwashed and bred since birth to kill other kids in a horrific child murder reality show. The description of Glimmer's death by tracker jacker wasp venom in Book 1. Cato's final hours before being put out of his misery, being mostly eaten by muttations.
The idea that some of the tributes used sexual appeal to gain sponsors is disturbing once you remember that they're all teenagers about to fight to the death for entertainment. Taken Up to Eleven with Finnick, who reveals that after his victory, he was used as an unwilling sex slave to Capitol people most likely including men and women. It's completely canon that some tributes are presented during the chariot portion of the games completely nude, presumably for the sexual gratification of the viewers.
These are all kids between the ages of twelve and eighteen.
Certain people dismiss the whole trilogy as "an American rip-off of Battle Royale ", despite the fact that the worldbuilding and plots of the two works, beyond the basic concept of "forced Gladiator Games with teenagers", are completely different and that Gladiator Games has a whole trope page of its own.
They Wasted a Perfectly Good Plot: Katniss's relationship with her sister is never really explored, when it was supposed to be the driving force in the first book.
In Catching Fire, the opportunity was wasted for Katniss to be a mentor and show us what things are like for the other victims of the games. The first book puts Katniss in a battle to the death with 23 other randomly-chosen people, painting the decision to kill or be killed as an enormous moral quandary, but coincidences and Laser-Guided Karma ensure that she can win the whole thing without hurting anyone who isn't actively trying to kill her at that exact moment.
Some fans feel Katniss volunteering as tribute did this, and that Peeta protecting Prim in order to re-unite the sisters would have made for a much better story. Several fans expressed interest in seeing the proposed 76th Hunger Games, consisting entirely of Capitol children, actually play out and were disappointed that they never eventuated due to Coin's death.
While his anger at the Capitol is understandable, and he's not wrong to point out that innocent people will need to die to bring it downit gets hard to sympathize with him when he seems so totally unconcerned with the massive civilian casualties his plans are likely to cause. Made even more jarring when he shrugs off the accidental death of a small Capitol girl, and votes in favour of a 76th Hunger Games, because in his mind, even innocent children deserved to die for the actions of their government.
To a lesser extent, the increasing prevalence of a romance storyline that even many fans find poorly-handled ends up turning both Katniss and Peeta into this by the end.
This wasn't a major problem in the first two books where the focus is on personal survival, but it gets really jarring in the third when they're fighting a war that will determine the fate of human civilization, yet still spend about half the book angsting over their love triangle. The age recommendation for these books - 11, 12, 13 - is surprising to some parents, reviewers, and even older teen readers.
Maybe it's the inclusion of decapitation, suicide, torture, mutilation, child prostitution, death by fire or venom, being buried alive, and other psychologically and emotionally disturbing content that raises their eyebrows. What The Hell, Casting Agency? Casting Carolyn McCormick, who is in her fifties and most definitely sounds her age, to read the audio books makes for a very jarring experience.
Virtually anyone, with special mention going to non-career Victors. Of course, even some of the Careers get shades of woobieness, most notably Finnick. She's lived her life in dire poverty, her father's dead, she's forced twice into an arena where the only way she can survive is to become a murderer, she's forced to be in love with someone she barely knows, whose memories were then twisted to hate her, she's caught up in a war between Evil vs.
Evil which keeps on getting everyone she cares about killed and tortured, and the leader of the side she's on is trying to get her killed, and she knows it. Peeta was tortured viciously for six weeks with tracker jacker venom, until most of his happy memories were twisted into terrifying ones, and he couldn't tell what was real and what wasn't.
Finnick was forced into prostitution at fourteen, on pain of the deaths of his loved ones, and spent nearly two-thirds of the last book so worried about Annie that he could barely function. Pollux, though a minor character, still managed to be a woobie, what with his being an Avox who spent five years doing forced labor underground, during which he didn't see the sun once.
Then his brother Castor gets killed. He spends most of his time getting drunk and generally acting like a cynical Jerkassbut once you learn about the hell he went through at the hands of the Capitol, you really can't blame him. The movies Alternative Character Interpretation: The film seems to present the possibility that Foxface purposefully killed herself with Peeta's nightlock berries. During the training montage, a scene of her matching and identifying plants from memory is shown, indicating that perhaps she knew all along what she was doing, and didn't actually make a fatal mistake.
Since she was weak and starving anyway, and knew she couldn't match the other remaining four tributes, she opted for a quick, painless way out instead, and covered it up as an accident so that her family back home didn't get in any trouble. This goes all the way into Heroic Sacrifice — in eating the Nightlock berries before Peeta does she stops him from accidentally poisoning himself and Katniss. Whether this is intentional is anyone's guess but quite posssible. Alternate theories have cropped up over Effie's sigh of relief when she pulls Haymitch's name from the Reaping ball in Catching Fire — was she relieved because she thought that now Peeta, at least, was safe Everdeen in Mockingjay Part 2: A former broken bird who finally fought through the loss of her husband and younger daughter to restart her life training new healers, or a current broken bird who abandons her daughter - her last living relative, a psychologically and physically damaged teenage girl who had to pick up the slack when Mr.
Everdeen died - and leaves her to fend for herself. This was especially bad due to the inclusion of John Cale, Channing Tatum's character from "White House Down," as the character wasn't very recognizable as opposed to the actor himself. As popular as Stewart was from Twilight, most people agreed Lawrence would be taking home the two awards. She has won every Kids' Choice Awards nomination since. Arcade Fire's "Abraham's Daughter," which plays during the credits, perfectly captures the emotional frame of the whole movie.
With symbolic lyrics to boot. Heck, pretty much all of the companion CD would count. Doing It for the Art! Her song "Eyes Open," while a little more rocking, has fitting lyrics for Katniss.
James Newton Howard 's score is also effective, and not only because of its incorporation of "Abraham's Daughter. The only antagonist who doesn't get Alas, Poor Villain in some way is Clove purely because she's just that loathsome. She gets beaten to death by Thresh after taunting Katniss about Rue's death.
She calls for Cato's help but he never shows, making it both a Karmic Death and Break the Haughty at the same time. There were reports of cheering in the cinemas when she was killed off. Oddly enough, The Hanging Tree, of all things, has become this.