Their relationship with their friend is now defined by dishonesty, deception and Hamlet's exclamation when he first sees Rosencrantz and. Rosencrantz and Guildenstern had been fellow-students of Hamlet at Hamlet tells Rosencrantz that he "soaks up" Hamlet's Relationship with the Ghost. Shakespeare's Horatio: Character Analysis & Relationship with Hamlet . Hamlet with Rosencrantz and Guildenstern in an image by Eugene.
This is unlike Horatio, who goes out and seeks Hamlet in order to tell him about his father. Secondly, Hamlet shows his trust towards Horatio when he indulges his plan to figure out if Claudius killed his father. This is in contrast to Rosencrantz and Guildenstern who agreed to help Claudius figure out what was wrong with Hamlet.
Finally, Horatio wanted to protect Hamlet from dangers when he warned him that something negative could possibly happen if he followed the ghost.
Rosencrantz and Guildenstern only acted nicely to Hamlet once he figured out that they were sent to spy on him. These events provide evidence that Horatio was a better friend to Hamlet than Rosencrantz and Guildenstern were.
Rosencrantz and Guildenstern
In conclusion, from comparing the relationship between Rosencrantz and Guildenstern with Hamlet versus the relationship of Horatio with Hamlet, the evidence viewed, such as his first encounter with Hamlet, the way the main character is treated, and how the friends act with him, showed that Horatio was a true friend to Hamlet.
Though, a person may make many friends throughout their lifetime, their actions provide the evidence that is used to determine who are in fact true friends. The names were common in the court of Frederick II and Christian IVand also at the University of Wittenbergan institution where Hamlet is mentioned as having studied he refers to them as "my two schoolfellows".
The smooth and courtly language they employ immediately establishes them as sycophants  who are really serving as spies for the corrupt King ClaudiusHamlet's uncle, who usurped the throne and constantly attempts to check his nephew. Hamlet welcomes them as "excellent good friends", but, seeing through their guise, comments that they won't "deal justly" with him about their mission.
To his mother, he comments in Scene 4 that "I will trust [them] as I will adders fang'd". When Hamlet kills PoloniusClaudius recruits Rosencrantz and Guildenstern to escort Hamlet to England, providing them with a letter for the King of England instructing him to have Hamlet killed. They are apparently unaware of what is in the letter, though Shakespeare never explicitly says so.
Along the journey, the distrustful Hamlet finds and rewrites the letter, instructing the executioner to kill Rosencrantz and Guildenstern instead. They go through the key plot points of Hamlet culminating in this noteworthy exchange: Horatio and Ophelia are often disregarded as "supporting actors" within the play.
They spend very little time onstage, and when they are their roles seem trivial; however, their true purpose is much greater.
The characters of Horatio and Ophelia have two very different functions in the play. Horatio is used as Similar Essays "Hamlet" And "Rosencrantz And Guildenstern Are Dead" words - 6 pages William Shakespeare and Tom Stoppard, through their plays, "Hamlet" and "Rosencrantz and Guildenstern are Dead", respectively, reveal attributes of the cultural context and social values that their respective era's were signatory to.
Unlike his first and second soliloquies, Hamlet's third soliloquy seems to be ruled by reason and not frantic emotion.
Rosencrantz and Guildenstern - Wikipedia
In his speech, Hamlet poses the validity and worthiness of life, asking himself," To be or not to Hamlet Analysis: Rosencrantz And Guildenstern words - 5 pages their friend Ham 2. Although Hamlet views them initially as old friends, the reader is able to view them as a distant and fake, portrayed together to lend to the concept that they are an idea rather than individual characters or merely the comic relief in the play.
The biggest evidence showing the embodiment of betrayal and dishonesty within Rosencrantz and Guildenstern is when Hamlet accuses them of playing him like a flute.
Statements such as these are important as they involve the audience who are participants of the theatre.