Essay on the connection between literature and life
Life is manifested in the form of literature. Without literature, life ceases to exist. Literature is present during the era of the ancient world. Literature is the reflection of the life in all its varied forms and shapes. Literature is the mirror to relationship between man and society. Every age has its own. I see that I am able to find ways to connect literature to my life and what life is all about. I could relate situations of my life to all of the different varieties of stories.
Literature must not be confounded with sociology, philosophy, religion or psychology, though these give substance and depth to literature. It may or may not impart knowledge or religious or moral instruction directly.
Its theme may be social problem or political revolution or religious movement; but it may, with equal justification, be an individual's passion, problem or fantasy. But the object is not so much to teach as to delight.
Books are literature when they bring us into some relation with real life. Herein lies its power and universal appeal. While there are some who take perfection of form to be the chief pre-occupation of literature, many more are inclined to the view that the primary value of literature is its human significance.
Literature must be woven out of the stuff of life as its mirror. Its value depends on the depth and breadth of the life that it paints. It was used to be believed at one time that the deepest things in life are those that deal with what were called the eternal varieties of life. The ideas of God, for example, or of certain moral virtues, were supposed to be eternal.
But experience and a wider knowledge of the changing conditions of social life have shaken man's faith in the unchangeableness of such concepts. Thus, peoples have different ideas of the Godhead.
Literature Is Powerful. Literature Defines Humanity. | Thought Catalog
It cultivates wonders, inspires a generation, and feeds information. Even though it is dynamic, endless, and multi-dimensional, literature contributes significant purposes to the world we live in. Literature in History Literature is present during the era of the ancient world.
Even without the invention of words and language, literature was already manifested in the earliest human civilizations. Carvings and paintings on walls inside caves of stone give evidence about the lives of prehistoric people. They explain their way of life. Literature is also a tool for the foundation of a religion. The Holy Bible, one of the oldest written scriptures, is a compilation of tales, beliefs, and accounts that teach about Christianity for both the Old and the New Testament and about Judaism for some selected books in the Old Testament.
Literature explains human values. The works of Plato, Socrates, and Aristotle the most famous Greek philosophers contain virtues that promote perfection to a society if only human beings have the willingness to uphold and practice them.
Literature in Revolution Literature is an instrument of revolution.
Political turmoil, societal injustice, and genocidal conquest can all be ended and resolved in the form of literature. A writer can be a warrior with his words as his weapon. He can be a revolutionist by writing a literary piece that exploits corruption in his nation yet fosters development for his fellow countrymen. Not all revolutions have to be fought in blood. Although he was excommunicated eventually because of this mere and blasphemous attempt of protest, the Christian church was then divided into two sectors: Anne Frank, a Jewish girl who was a victim of the Holocaust during the reign of Hitler in Nazi Germany, was only an innocent youth when she wrote a diary that details her life and struggles as a captive during that time.
For the first time of many I came up against the unequivocal conclusion: I was shaken, disbelieving. Here was something entirely different. As I later came to realize, the act of murder and the heavenly city he glimpses during it cut Rojack loose from societal strictures and self-destructive habits and send him on a pilgrimage to his own heavenly city: The steps along this path of tests and trepidation are marked by confrontations with characters who are as real as those in a history book and simultaneously as rife with allegorical significance as those of John Bunyan.
As Mailer believes, God is all good, but not all-powerful: He or She is locked instead in a battle with Satan over the hearts and souls of men and women. Our choices for good or evil strengthen one or the other. The similarity of their names to Rojack suggests that they represent aspects of his cowardice and compromise that he must purge to move forward. The Romeo passage is particularly harrowing, because Rojack risks a brutal beating at his hands.
One day when I was twenty-five, a Ph. I stopped my car in the middle of the street, left the doors open, and approached them, accompanied by my buddy Tony Piccione.
Relation of Literature to Life
I explained that I was perturbed by their uniforms and emblems, and they laughingly explained that it was all a big joke for a fraternity costume party, pointing to the fraternity house festooned with an enormous Nazi flag, out of which a few dozen uniformed brothers poured, including the Master, who was introduced as The Fuhrer.
So, you see, it was just a joke. Suddenly, I understood what happens to Rojack in the Shago Martin confrontation. I really, truly, saw red. My vision was full of blood.
The street was red, the house, the people. The turning point of this symmetrically structured novel lies at its center, when Rojack commits himself to a procreative heterosexual love with Cherry and begins to internalize positive qualities rather than purge weaknesses. The Cherry passage completes the sexual nexus that links Barney Oswald Kelly and Rojack, for each has been carnally linked to the same three women: Deborah, Ruta, and Cherry.
There is a chain of fornication which is all but complete. With the exception of Rufus Scott, who does not go to bed with his sister, everybody else in the book is connected by their skin to another character. All the sex in the book is displaced, whites with blacks, men with men, women with homosexuals; the sex is funky to suffocation, rich but claustrophobic, sensual but airless.
Baldwin understands the existential abyss of love. And nobody makes it, not quite. They cannot find the juice to break out of their hatred into the other country of love. I know whether I have. The existential and religious choice Rojack makes here is unmistakably described in a lyrical passage: